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Use --jsonAuth pass the auth via json file, or else there's no authentication. If target ip address shown in payload doesn't hit the cache, broadcast this packet to the entire room now a server is a room. Skip to content. Star 1. Make you and your friends play games like in a LAN. Branches Tags. Could not load branches. Could not load tags. Latest commit.

Git stats commits. Hitting consistent shots is the only way to get kills in Halo , but the first step in doing so is having a good WiFi connection. Even players with great WiFi and low ping are reporting lag in certain matches. The reason for this is, even though a player's WiFi isn't having connectivity issues, Halo Infinite is putting the player in servers that are nowhere close to their region.

Many European players who live in regions with a lower density of players are also reporting that their games have been laggy due to being put into servers with higher player counts, like North America's. There is a fix for players who are looking to lock their server region to the region in which they live so they can have a smoother gameplay experience when it comes to connection.

Since there is no way to change servers in-game, unlike in Halo: The Master Chief Collection , players will have to resort to more complex measures to choose their server region in Halo Infinite multiplayer. Xbox players will need to head into their router settings, while PC players will have to fix the issue in their files. Open Notepad as administrator.

Add these entries to the hosts file from the below list, leaving out the servers the player wants to play on:. At this point, players can save the file and close Notepad. Large gamelan are own by wealthy patrons, shadow play puppeteers or particular institution such as banks, schools or government offices. For their part, musicians own smaller and more portable ensembles. Javanese Gamelan music has been performed for and enjoyed by people of all walks of life, from beggars to kings, although the sizes and types of ensembles, as well as the styles of music differs depending from which social class the audience is and on the occasions.

Most of the times, Gamelan ensembles accompany dance and theater, and especially "wayang kulit", the well-known Javanese and Balinese shadow puppet theater. The "dhalang", or puppeteer, and the ensemble sits behind a white screen generally lit up by a coconut oil lamp.

The audience may see the show from both sides of the screen. Another theater is the "wayang wong", in wich the actors sing, dance and act. As for dance accompaniment, Gamelan accompanies a wide range of types of dances, which vary with the social context e. Gamelan, without dance and theater, are heard during particular events such as weddings, circumcisions and birthdays, for example, as well as on radio. In a typical Javanese Gamelan, the instruments can be divided as follow: time-marking instruments gongs of different sizes , melodic instruments the "suling", an end-blown flute; and the rebab, a bowed spike fiddle, which plays the balungan, or fixed melody , elaborating instruments all other metallophone instruments, which create the sound so typical of Gamelan music; the rebab and suling are also part of these groups.

Singers can join in, either to sing solo songs or simply to add to the musical texture, normally during the soft moment of the piece. But there is a lot of variations between different ensembles, depending on their uses and purposes as well as the wealth of the owner. For example, court ensembles will greatly differ in instrumentation and repertoire from more general ensemble used in weddings, or other social events.

Three types of metal are use to make these metallic instruments: bronze, brass and iron, bronze being the most preferred. The tuning can vary from one ensemble to the other, and from one instrument to the other. For our Western ears, this music may sound out-of-tune. These two laras will not be heard together during a performance. Out of these tunings, modes or "pathet" are used, in a quite complex interrelated system and theoretical system.

The Javanese pathet are associated with times of day, moods or theatrical conventions. One particularity of Javanese music, compare to Balinese, is that the musicians somewhat "improvise". It is not an improvisation in the Western sense of the terms, but more in the sense of being able to develop, embellish and "improve" a piece as it is being performed.

Yet, musicians are not allowed to go beyond certain traditional rules, they "do not express personal feelings, but, rather, perform their personal interpretations of the tradition" Susilo. They even have 5 different types of improvisations. In this sense, musicians do not learn a particular score, but a piece structure plus a traditional way to treat it.

For this reason, musicians who never played together can often performed without much practice. Balinese music evolved from a complex mixture of local and Javanese sources. Hindus fled Java after the 14th-century collapse of the Javanese Majapaht dynasty to establish in Bali, bringing along their music and musical instruments.

One thing that has always seemed remarkable to ethnomusicologists and historians is that Bali was able to sustain its Hindu culture, despite its proximity to Java. On the one hand, Balinese Gamelan music has still strong similarity with Javanese music. For example, some Balinese gamelans share important traits with older styles of Javanese Gamelan, which are no longer heard in Java.



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